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...vacy/. This policy covers information collected by gravatar.com, wordpress.com, jetpack.com, akismet.com (an anti-spam program), and others which may be used by this site. Jetpack provides the comment form on the site. Please see the Automattic privacy policy for the information they collect, how long it is retained, and how it is used. If you leave contact information on the site, you will be interacting with the Contact Form 7 plug-in. You may r...Read More

Critique Technique, Part 50 — Spelling

...(words that sound alike): their/there/they’re, affect/effect, your/you’re, complement/compliment, and so on. And since using “there” instead of “their” isn’t a case of a word being misspelled, word processor spell-checkers won’t always catch the mistake. Now, spelling and grammar checkers have gotten better over the years, so “He went to there house” should get a blue double underline under “there” from MS Word’s spelling checker, and indeed it di...Read More

Critique Technique, Part 8: Story Endings

...about…?” itch, that hint of something left undone, unfinished, or still to come that makes him want to read the next installment, even if it’ll be a year or more before it appears. This incompleteness can appear in the form of just a word, a phrase, or a sentence, or even in something left not said or not done. Third, there’s the series in which the protagonist and some of his or her associated secondary characters continue from book to book, but...Read More

Critique Technique, Part 5: Weak or Missing Hook

...hat work, or does not do it well. Photo by Marco Michelini, via FreeImages.com Edgerton says those first pages need to do four things: Introduce the protagonist and their normal world. Contain the “inciting incident” that throws the protagonist out of that normal world. Contain the “surface problem,” the problem they initially think they have to solve. Introduce the first hints of the “story-worthy problem,” which is what will drive the protagonis...Read More

Critique Technique, part 14: Out-of-Character Behavior

...want to bookmark the moment the new behavior appears and watch for the explanation to be revealed. If it isn’t, this is something you’ll want to flag for the author. What else do you look for when watching for out-of-character behavior? Please add your suggestions in the comment box below. [1] BASE jumping is an extreme form of sport parachuting. BASE stands for Buildings, Aerials (or Antennas but definitely NOT Automobiles, falling or otherwise)...Read More

Critique Technique, Part 3: How Do You Feel?

...now the fun begins. Now you get to start really analyzing the work. WAIT! Come back! This isn’t scary! Really it’s not. But to let your heart rate get back down to normal, we’ll save that topic for next time. Your Thoughts Meanwhile, do have any suggestions on how a new critiquer can develop or improve their awareness of their response to a piece while they’re reading it? If so, please put them in the Comments box at the end of the post. Lots of...Read More

Critique Technique, Part 12: Showing and Telling in Character Development

...howing” too much? That is, showing character traits when it would simply be better to tell them? What cues do you use to evaluate how well the author is presenting a character? Add your comments or suggestions in the comments box below.   Lots of ways you can share this: Twitter Facebook LinkedIn Email Print More Pinterest Reddit...Read More

Critique Technique, Part 11: Lack of Character Development

...want her to learn from that mistake or problem or whatever—to change—and become a different person, even if just a little bit different, so that over the course of the entire piece she becomes someone else, the sum or product of all the plusses and minuses of her journey through the story. By the way, if she does not learn the first time, that’s fine. That’ll get her into more trouble. But eventually she needs to learn… or end up dead or a complet...Read More

Critique Technique, Part 10: Poor Characterization

...ir central flaw, the thing that drives the story’s conflict. But if they become a one-trick pony, they become boring, annoying, tiresome, uninteresting. The same is true if they’re… Hyperactive or melodramatic. The hyperactive character wears the reader out while showing no depth. In a later post I’ll write about story pace, but there’s a “pace” for a character, too, and someone who’s “on” all the time doesn’t demonstrate the variety of character...Read More

Critique Technique, Part 9: Characters and Conflict

...would make sense, but with only what I’ve given you here, that conflict is completely inappropriate. Mistimed Conflict Mistimed conflict is a different issue. Getting timing right is difficult—just ask any stand-up comic. That moment’s hesitation before he delivers the punch line can be the difference between howls of laughter and no response at all. Here’s an example of mistiming a conflict in fiction. Another former member of my writers’ group o...Read More