Making progress, step by step

Step by step, The Eternity Plague gets closer to becoming a published reality. Earlier this week I finished reviewing the work of a local copy editor. That’s an important step.

There’s still important work to do, however. When I began writing the book, lo those many years ago (2004!), I chose to set parts of the story at a medical research center I visited early in my research: the University of Texas Southwestern Medical Center near downtown Dallas. Why? Well, it was–and still is–a highly regarded research center and a cousin of mine who works there was able to arrange for me to spend some time in the lab of one of its scientists. Very cool! AND, it wasn’t in Oklahoma, which was where I was living at the time.

Now, don’t get me wrong: there’s nothing wrong wi...

One of the things I need to be concerned about that most SF writers don’t with most of their stories is that The Eternity Plague takes place in real places on a real planet–earth. Can I use the names of these real places–not just cities, they’re okay, but institutions–specifically the University of Texas Southwestern Medical Center in  Dallas.

Another potential problem is that one of my characters quotes song lyrics that are still under copyright. Can I use them under the “fair use” principle, or are the lengths of the quotes too long by some standard I don’t know. “Fair use” doesn’t have a hard-and-fast standard by which it’s measured, which makes sense in a lot of ways. But that also makes it difficult to know when you’ve crossed the line when the line is vague and blurry, not bright.

Welcome to the new and improved, or at least changed, version of Great Stuff for Writers! We’ve got 10 terrific posts on character development (and bumping them off), publishing and publicity tips, book design hints, and some thoughts on the life of a writer. Enjoy!

CRAFT

I’m not a fan of the 20- (or 200-) questions approach to character development, but thriller writer Tom Pawlik (@TomPawlik) offers 9 Ingredients of Character Development, centered around using the word character as the mnemonic for the ingredients. Maybe it’ll work for you.

Speaking of characters, what happens if they refuse to do what you want them to? That’s great! James Scott Bell (@jamesscottbell) provides sound advice on The Kill Zone on how to Let Your Characters Live and Breathe, particularly for those of u...

Guess everyone wore themselves out with all that Great Stuff they wrote earlier in the week. That leaves us today with a BIG ANNOUNCEMENT (as you can see below), a good piece on effective dialogue, and one more piece on movies, and how books become movies.

ANNOUNCEMENT

Great Stuff is changing again. As I get closer to the launch of my debut science fiction novel, The Eternity Plague, I’ve come to realize I need to start writing more about it. Also, I’ve been neglecting my Critique Technique posts, and I need to reactivate them too.

So, starting next Monday, Great Stuff for Writers will switch to a once-a-week format...

Primarily a business focus in today’s articles but Kristen Lamb’s funny piece on not being a social media tools tool is a nice counterpoint.

CRAFT

James Scott Bell’s (@jamesscottbell) The Perils of Pure Pantsing on The Kill Zone could also be titled “In Praise of Structure.” Note that that’s structure with a u, not stricture with an i. Late in the post, Bell writes that structure “helps readers feel what you want them to feel” (italics his). I compare structure to the bare scaffold of a building. It defines the general shape but says nothing about where the doors and windows will be, the number, shape, or size of the rooms, or what the exterior will look like. That’s where the architect’s art comes in...

Happy Friday, everyone. The Tucson Festival of Books is this weekend and I’m psyched. This is always a great event. Maybe I’ll see you there. Meanwhile, there’s a big kerfuffle afoot over some new ebook contracts from Random House. See below for much more on that, plus other, far less controversial Great Stuff.

CRAFT

Jordan Dane (@JordanDane) offers terrific advice in 8 Key Ways to Edit Suspense & Pace into Your Finished Manuscript. If that title isn’t enough to make you want to go read it, I’ll tease a few of her suggestions: figure out if you’ve started at the best point; is the setting the right one; does the protagonist’s “black moment” occur at the best possible place? Valuable stuff here.

Rachelle Gardner (@RachelleGardner) injects a moment of sanity in what other m...

I hope you’re enjoying Great Stuff’s new home. I had a bit of a scare with it on Friday (web site launches are always a bit fraught anyway, so I shouldn’t have been surprised) but all ended well. There’s still more to do with the site but at least we’re up and running.

Today’s Great Stuff is full to overflowing, so I won’t hold you up any longer. Dive in!

CRAFT

You might not think that writing and lawyering have much in common (we’ll not get all snarky here), but lawyer and published novelist Tara Conklin (@TEConklin) makes the case for the commonalities—or case-preparation techniques—you can use to write more effectively in Write Like a Lawyer: 5 Tips for Fiction Writers. A few examples: create a timeline, interrogate your characters, and use only persuasive facts.

Jam...