One of the things I need to be concerned about that most SF writers don’t with most of their stories is that The Eternity Plague takes place in real places on a real planet–earth. Can I use the names of these real places–not just cities, they’re okay, but institutions–specifically the University of Texas Southwestern Medical Center in  Dallas.

Another potential problem is that one of my characters quotes song lyrics that are still under copyright. Can I use them under the “fair use” principle, or are the lengths of the quotes too long by some standard I don’t know. “Fair use” doesn’t have a hard-and-fast standard by which it’s measured, which makes sense in a lot of ways. But that also makes it difficult to know when you’ve crossed the line when the line is vague and blurry, not bright.

If you read nothing else this week, read Joel Friedlander’s piece on the destruction of the writing web site Publetariat down in the Technology section. Protecting your blog or web site needs to be high on your priority list because there are slimeballs out there who will destroy web sites just for the pleasure of destroying them. If you have a WordPress.org-based site, I point you to a resource that will help you keep your site safe.

In addition we have posts on picking titles, getting everything right in a story, ending it well, ebook publishing options and resources, going to writers’ conferences, writer’s courage, and the differences between Microsoft Word formats and why that matters to you.

CRAFT

Kris Montee, one of the sisters who write as PJ Parrish, has plenty of great advic...

Turn on your Observer to watch out for coincidences, more bad ebook deals (this one from Amazon, if you can believe it), and whether ebook gift cards are a good idea for your book. There’s all that and more in today’s Great Stuff.

CRAFT

Barbara O’Neal (@barbaraoneal) writes about Cultivating The Observer, that part of our writer selves that does just two things: notice and record. Notice as much as possible of the details around us, and record them for later use in our writing. Her Writer Unboxed piece is full of examples and illustrations of The Observer at work. Is yours?

What a coincidence! Well, no, not really, but Katie Weiland’s (@KMWeiland) vlog about Your Secret Weapon Against Story Coincidences might just come at a time when it’s just what you needed to read. Or not...

Variety in your writing life. Rachelle Gardner advocates it and we’ve got it: craft-wise, business-wise, life-wise, even wise-cracking-wise. Great—even wise—tools for your toolkit.

CRAFT

Allison Vesterfelt (@allyvest) guest posts on Jeff Goins’ blog with the question, Is Your Writing Timeless? Yes, she really does mean, is your writing dealing with issues that will still matter a long time from now? Now, that seems like a tall order, a task reserved for “literary” fiction and not for the other genres that are too often dismissed as “mere entertainment.” Yet non-literary fiction can certainly deal with questions of how people deal with big issues in their lives—mortal or psychological danger, loneliness, fear, conflict—without descending into plotless maundering...

It’s the Ides of March—beware! It’s about to be St. Patty’s Day—rejoice! (But don’t drive afterwards.) Some big news about Google Reader, in case you hadn’t heard, along with our usual supply of Great Stuff.

CRAFT

I’ll let you in on a secret. When Lisa Cron (@lisacron) asks, Does Your Protagonist Have Amnesia?, she’s really asking about you, not your hero(ine). Why? Because, she says, that character’s past is her prologue, what leads to the change she needs to make over the course of the story. If you’ve forgotten to develop the critical details of that past (and not the 1,000-question list of irrelevant details some writing teachers advocate), you won’t know the how and why of the past that makes that change critical...

Whew! All caught up. Had a good weekend at the Tucson Festival of Books, but leaving the house before 6:15 in the morning and not getting back until late that night doesn’t leave much time for reading blogs or writing about them. No matter: we’re back on schedule.

CRAFT

“Motivation-reaction units.” Sounds like parts from a rocket engine, doesn’t it? Katie Weiland (@KMWeiland) says no, that phrase is just another way of describing the cause-and-effect sequence that defines each event in a story. The cause is some kind of outside stimulus. The effect is the reaction—well, three reactions, actually: feeling and/or thought, physical action, speech...

Happy Friday, everyone. The Tucson Festival of Books is this weekend and I’m psyched. This is always a great event. Maybe I’ll see you there. Meanwhile, there’s a big kerfuffle afoot over some new ebook contracts from Random House. See below for much more on that, plus other, far less controversial Great Stuff.

CRAFT

Jordan Dane (@JordanDane) offers terrific advice in 8 Key Ways to Edit Suspense & Pace into Your Finished Manuscript. If that title isn’t enough to make you want to go read it, I’ll tease a few of her suggestions: figure out if you’ve started at the best point; is the setting the right one; does the protagonist’s “black moment” occur at the best possible place? Valuable stuff here.

Rachelle Gardner (@RachelleGardner) injects a moment of sanity in what other m...

Okay… deep breath and here we go. Click the Publish button aaaaand…

Welcome to the renamed and relocated Great Stuff for Writers! I hope you like the new web site and the new-ish layout. The one thing that hasn’t changed is the content: I’m still surfing the blogosphere for important and valuable information for you, my fellow writers.

If you were subscribed to the old Great Stuff from the Cochise Writers blog, I’m afraid you’ll have to resubscribe, but the links are over on the right in the sidebar. You can (re)subscribe by RSS or e-mail, or both! Of course, you can also bookmark the site or mark it as a favorite too.

This new web site is still a work in progress, so if you have any problems with it, PLEASE tell me about them...