Last time I wrote about how the beginning of a piece is supposed to “hook” the reader, to make them have to keep reading past the first line, the first paragraph, the first page. Now we need to zoom out a little and look at the beginning of the piece as a whole. Specifically, we need to ask, “Is this the right place for the piece to begin?”

That may seem like an odd question: doesn’t an article, short story, or novel start at the beginning?

Not necessarily. You’ve probably heard that a story needs to start in medias res, a Latin phrase meaning “in the middle of things.”

Great. What things?

Things. You know. The action. The events. Which

One of the things I need to be concerned about that most SF writers don’t with most of their stories is that The Eternity Plague takes place in real places on a real planet–earth. Can I use the names of these real places–not just cities, they’re okay, but institutions–specifically the University of Texas Southwestern Medical Center in  Dallas.

Another potential problem is that one of my characters quotes song lyrics that are still under copyright. Can I use them under the “fair use” principle, or are the lengths of the quotes too long by some standard I don’t know. “Fair use” doesn’t have a hard-and-fast standard by which it’s measured, which makes sense in a lot of ways. But that also makes it difficult to know when you’ve crossed the line when the line is vague and blurry, not bright.

If you read nothing else this week, read Joel Friedlander’s piece on the destruction of the writing web site Publetariat down in the Technology section. Protecting your blog or web site needs to be high on your priority list because there are slimeballs out there who will destroy web sites just for the pleasure of destroying them. If you have a WordPress.org-based site, I point you to a resource that will help you keep your site safe.

In addition we have posts on picking titles, getting everything right in a story, ending it well, ebook publishing options and resources, going to writers’ conferences, writer’s courage, and the differences between Microsoft Word formats and why that matters to you.

CRAFT

Kris Montee, one of the sisters who write as PJ Parrish, has plenty of great advic...

It’s Tax Day in America, which is anything but a holiday, with millions of people frantically trying to do what they could have done any time in the last 10 weeks, but then, who LIKES paying taxes? So this week we have one post on that very subject, plus pieces on blogging, storytelling, characterization, publishing, “tweetables,” and making time for writing. Enjoy!

CRAFT

I know for some people there never seems to be enough time to write, so adding one more writing task seems counterproductive if not impossible. But Dan Blank (@danblank) makes the case for 4 Ways Blogging Will Make You a Better Writer on DIY MFA. He argues that blogging (1) makes you publish, (2) focuses you on writing and getting read, (3) adds new ways to connect to readers, and (4) builds the habit of writing (I’...

I wrote in the previous article about keeping track of how a piece of writing makes you feel when you’re reviewing it. In this post, I was going to explore identifying why it made you feel that way, but I discovered I should introduce another topic first: “Is that what the author wanted me to feel?” Both questions—that one and “How did this piece make me feel?”—need to be followed by the questions, “Why did the piece make me feel this way?” and “Why did the author want me to feel that way?”

Now, of course, you can’t have perfect knowledge of the author’s intent if you’re not the author  (and sometimes not even when you are) but som...

Welcome to the first full-week edition of Great Stuff! We’ve got craft pieces on info-dumping, writing sex scenes, and overusing particular words; business pieces on publishing, KDP Select, and book bloggers; floundering through social media; a tech article on how Google Glass might be used to read books in the future—or might not be; and a writing life piece on building good relationships with your readers.

CRAFT

Ah, the dreaded info-dump. If, like me, you’re a current or former professional who also writes, you can fall into the trap of killing the flow of a story by dumping information on the reader. Independent editor Jodie Renner (@JodieRennerEd) provides strategies for providing Info with Attitude that get the key things the reader needs to know across while keeping the action ...

[This is a reposting of a piece that was originally published on the Cochise Writers blog on September 10, 2011.]

Before I get to the first real topic in this series, I need to give a shout-out to local writer/poet/editor Harvey Stambrough for a blog post that he put up yesterday, “A Dozen Ways to Make Your Critique Group Work.” Good stuff there. Well worth your time to follow the link and give it a look.

New members of a critique/writers’ group will say, “I don’t know how to do this [provide feedback].” The tendency, I suspect, is to think they have to replicate what they had to do in high school and/or college English classes: things like identify and explain the symbolism in a passage, say, or compare and contrast the use of metaphor with onomatopoeia.

Nope! Nope, nope, nope...

Just a light reading list for you today but of course every one’s got value: the keys to writing in general and short stories and screenplays in particular, the role of the reader, and how to work well with a graphic artist. It’s all Great Stuff. Enjoy!

CRAFT

If you’ve ever wondered How to Write a Short Story (and who hasn’t, if you’ve tried?), James Scott Bell’s (@jamesscottbell) piece on The Kill Zone is an excellent discussion of what makes a short story different from a longer work, besides length (duh!). The answer his “boys in the basement” came up with after a friend asked Bell the question, is that “a short story is about one shattering moment,” which can be internal (emotional, psychological) or external. So can’t a novel also have a shattering moment? Of course...

Variety in your writing life. Rachelle Gardner advocates it and we’ve got it: craft-wise, business-wise, life-wise, even wise-cracking-wise. Great—even wise—tools for your toolkit.

CRAFT

Allison Vesterfelt (@allyvest) guest posts on Jeff Goins’ blog with the question, Is Your Writing Timeless? Yes, she really does mean, is your writing dealing with issues that will still matter a long time from now? Now, that seems like a tall order, a task reserved for “literary” fiction and not for the other genres that are too often dismissed as “mere entertainment.” Yet non-literary fiction can certainly deal with questions of how people deal with big issues in their lives—mortal or psychological danger, loneliness, fear, conflict—without descending into plotless maundering...

A while back several members of my critique group, the Cochise Writers’ Group, and I came up with a list of questions we could and should ask ourselves as we were reading each other’s work. We’ve shared it with other people but why keep the good stuff to ourselves?

So, without further ado, here’s an introduction to critique, “technique,” and “procedure.”

Read books, magazines, blogs, web sites, you-name-it on writing and you’ll be inundated, absolutely overwhelmed, with tips, tricks, hints, suggestions, ideas, and more on how to write everything from a poem to the Great American Novel, how to overcome writer’s block, how to spur your creativity, how to… wel...