I need to “revise and extend” my last Critique Technique post.

Last time I wrote that things should be worse for the protagonist at the end of each section (or scene) or chapter of an article, short story, or novel than they were at the beginning. Well, that’s not entirely true. In a longer piece, and particularly in a short part of that piece, that may not be possible, or desirable.

Letting the scene’s or chapter’s protagonist make a little progress, or seem to make progress, has its benefits:

1. The reader is encouraged, and so wants to read further.
2. That progress gives the author more opportunities to make things worse for the protagonist: one step forward makes room for the two steps backward to come. (There we writers go again, being evil and devious!)
3. If the scene’s protago...

A double-13 day today, but you should feel lucky because there’s so much Great Stuff waiting below. Techniques for getting started or keeping going, for pulling in the reader, setting mood, and more. News about Smashwords and indie publishing. Making better use of social media generally and Goodreads and Twitter in particular. Even a link to an old video game based on The Great Gatsby! Check it out.

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Just in case you don’t already have enough to read, or you’re looking for something specific that you haven’t found yet, Katie Weiland (@KMWeiland) lists 10 of My Favorite Writing-Craft Sites. Two you see mentioned a lot here—Writer Unboxed and The Creative Penn—are on the list, plus others I hadn’t heard of.

Not only is James Scott Bell (@jamesscottbell) an excellent writer...

I’ve written about beginnings in the last couple of posts. For the next couple, I’ll discuss the endings of sections or scenes, chapters, and the entire piece. I’ll look at the first two here.

Articles and short stories are often divided into sections or scenes, sometimes even into chapters. Books of all kinds are almost always divided into chapters, and those chapters often have scenes within them.

Why would a chapter, article, or short story be divided into scenes? In fiction, scenes contain the action in a specific time and place, from a particular point of view, or focused on a certain character...

Hey! What happened to Monday? I was traveling, that’s what. And Tuesday? Trying to catch up. And Wednesday? STILL trying to catch up. I’m almost there. So, herewith is an abbreviated and tardy version of Great Stuff: outlining and word choice and beginnings and endings; branding and Goodreads and mastery and saving your work on the cloud.

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If you’re an outliner, you understand that your outline is a fixed thing, graven in stone. In What Comes After Once Upon a Time, Robert J. Sadler describes how a little item he threw into a story, not thinking it was going to turn out to be important, instead became a key element in getting his latest novel to its conclusion by a path he never intended. But he trusted his storyteller’s instinct and good things happened.

We all know that we s...

Last time I wrote about how the beginning of a piece is supposed to “hook” the reader, to make them have to keep reading past the first line, the first paragraph, the first page. Now we need to zoom out a little and look at the beginning of the piece as a whole. Specifically, we need to ask, “Is this the right place for the piece to begin?”

That may seem like an odd question: doesn’t an article, short story, or novel start at the beginning?

Not necessarily. You’ve probably heard that a story needs to start in medias res, a Latin phrase meaning “in the middle of things.”

Great. What things?

Things. You know. The action. The events. Which may, of course, be internal to on...

One of the things I need to be concerned about that most SF writers don’t with most of their stories is that The Eternity Plague takes place in real places on a real planet–earth. Can I use the names of these real places–not just cities, they’re okay, but institutions–specifically the University of Texas Southwestern Medical Center in  Dallas.

Another potential problem is that one of my characters quotes song lyrics that are still under copyright. Can I use them under the “fair use” principle, or are the lengths of the quotes too long by some standard I don’t know. “Fair use” doesn’t have a hard-and-fast standard by which it’s measured, which makes sense in a lot of ways. But that also makes it difficult to know when you’ve crossed the line when the line is vague and blurry, not bright.

Frantically trying to get caught up after spending the last 3 days volunteering with the Oklahoma City Memorial Marathon, something I do every year to honor the memory of a friend of mine who was killed in the bombing of the Murrah Federal Building here. I’ve been a part of the event every year, as a volunteer, runner, or both, and this year was even honored with a profile interview in The Oklahoman, the city’s newspaper, even if the writer did misspell my name.

But enough of that! This is a writing blog! There’s lots of Great Stuff included this week: foreshadowing, characters who pop, pitching, the benefits of writing short fiction, book marketing, the value of reviews, burnout, learning from writing, and even some fun: one 2-year-old’s takes on books based on their covers...

Before I begin, remember that for each of the items I’ll discuss from now on, you have four questions to ask:

• Did it happen?
• Exactly where did it happen?
• What exactly is the problem? Or what just worked really well?
• What can the author do to fix it, if something needs fixing?

OK, so what is a “hook” and how can it be weak or missing? Whatever you’re writing—fiction or non-fiction, poetry or prose—you need to catch and hold your reader’s interest: you need to hook them. And you need to do it early. How early? Well, in a poem it has to happen right away, in the first few lines, since a poem is likely to be brief. But this is true even in a longer piece...

This morning I took another important step on the road to publication: I sent the manuscript off to a proofreader/copy editor. Whew. Little by little, The Eternity Plague is turning into a “real” book, as opposed to a manuscript.

There are still a few loose ends to tie up: either getting permission from the University of Texas Southwestern Medical Center to use the Center’s name in the story, or changing the name to something else; and getting a reading on whether the song lyrics my reporter character, Lisa Lange, quotes from time to time can be considered “fair use” or if I have to get permission to use them too.

If UT-Southwestern says no, that’s an easy fix: global find-and-replace is a wonderful thing. Getting permission for the song lyrics could take longer, if I have to...

If you read nothing else this week, read Joel Friedlander’s piece on the destruction of the writing web site Publetariat down in the Technology section. Protecting your blog or web site needs to be high on your priority list because there are slimeballs out there who will destroy web sites just for the pleasure of destroying them. If you have a WordPress.org-based site, I point you to a resource that will help you keep your site safe.

In addition we have posts on picking titles, getting everything right in a story, ending it well, ebook publishing options and resources, going to writers’ conferences, writer’s courage, and the differences between Microsoft Word formats and why that matters to you.

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Kris Montee, one of the sisters who write as PJ Parrish, has plenty of great advic...